Music Diary: Women of the World

Women of the World

Women of the World

The 10-member Women of the World entered the Regattabar Thursday night as a processional, intoning “Om,” matching the pitch drawn from a temple bowl with a wooden pestle by one of their four lead singers. Taking their place in a line facing the audience, the group continued to sing “Om mani padme hum.” Then the band’s instrumentalists took their place and the vocalists took turns on the second tune, one of whose lines was “I am the Light.”

At this point, you’d be excused if you reached for your adult beverage, but this after all was United Nations Day and the group’s show was in part an event for the United Nations Association of Greater Boston. There was a full house.

And there was no arguing with the ensemble’s impeccable musicianship — their tricky arrangements for those four voices, the perfectly executed harmonies, the engaging minimal bits of choreography (a group arm wave or side-step), the singers’ individual charisma. The group was brought together by Berklee alumnus Ayumi Ueda in 2008 to represent international culture and “create music for peace.” At the Regattabar, the women were dressed elegantly to their own taste or nationality (Annette Philip wore a lovely sari), and the music as well ranged in style and format. They sang a cappella and with their backup players. They sang a Japanese folk song followed by an Italian folk song. They sang in Turkish (with approval from Turkish audience members). Violinist Sue Buzzard played a Celtic fiddle tune. They ended with a Miriam Makeba song. There were a couple of sing-alongs with the audience. So yes, you could be cynical for a while. But when the group asked a schoolgirl to come up and read her own tribute to Malala Yousafzai, resistance was futile.

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